International Colour Charts

. CRIOJAZZ

Victor Hugo Zapata Gómez: Percussion and drummer. He began his musical studies at age 7 years in the Popular School of Art (EPA), through the musical influence of his father who served as music teacher in this institution. He continued his studies at the Institute of Fine Arts, the College of Music and The Faculty of Arts at the University of Antioquia. In 1998, used his visit to Valencia (Spain) for training in the interpretation of classical music and symphony Lliria Primitive School in instruments like a snare, marimba, xylophone and timpani Symphony, among others. His experience as a percussionist has led him to integrate different musical groups, as also accompany many national and international artists in concerts that have taken place in South America, Europe and USA, playing different music genres like salsa, latin-jazz, Colombian folk music and symphonic music. Among the most celebrated artists, including: • Dave Valentin (USA) • Richie Ray (USA) • Alfredo de la Fé (CUBA) • Javier Colina (SPAIN) • Maria Rivas and Luis Felipe Gonzalez (VENEZUELA), • Raquel Zozaya (CUBA) • Mariano Civic Yohny Rivera and David Pabon (PUERTO RICO) • Maria Martha Serra Lima (CHILE) • Hansel Camacho, Gustavo Rodriguez, Czech Acosta, Charlie Cardona and Edy Martínez (COLOMBIA), among others. Musician has been invited by the Symphonic Band from the University of Antioquia, Medellín Philharmonic Orchestra and the Gale Group. It has also integrated groups such as: • The Republic • La Banda Sonora Carruseles • The Ballet Folklorico de Antioquia • Brass Quintet Medellin • The Big Band of Medellin addition, participation in several International Jazz Festivals have provided rewarding musical experiences and personal. These have been conducted in the cities of: • The Hague (Netherlands) • Montreal (Canada) • Milan (Italy), • and national festivals of Medellín, Bogotá and Manizales. He has participated in the recording of several CDs as a musician accompanying instruments such as Marimba, Drums, Congas, Timbales, doumbeks, Bongos, D'jembe, folk drums, Flute, Four and Treble. He has also served as a teacher in the National Band and Music Department of Bands Plan, and has become part of the teaching staff of the First and Second Cohort of Directors' Diploma of Music at the University of Antioquia.

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Somos Amigos.

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Osmany Paredes.

This interview was conducted by journalist Thomas Peña for the website Latinjaznet.com friend. The idea of \u200b\u200bpublishing it in the interest arises Anapapaya music aroused Osmany Paredes Luis Moreno, director of Jazzbuffalo.com and moderator of the discussion group Jazz Mestizo. Impressed by the quality and proposal of the Cuban pianist, made arrangements for translation and publication in English. Translation is another key knowledgeable Caribbean music, Israel Sánchez-Coll.
Thanks to them, because music Osmany Menduvia Walls fully inscribed in Latin jazz, it's worth, and also features a special guest, the legendary singer Fellove Francisco Valdes in a couple of songs. Santa Clara


has collaborated with Orquesta America, Bobby Carcasses, Enrique Jorrin, Israel Cachao Lopez, "Patato" Valdes, Amaury Gutierrez, Francisco Fellove Valdés, Susana Harp, Chocolate Armenteros, the orchestra Forty Degrees, among others. Osmani Paredes was born in the city of Santa Clara, Cuba in 1972. His early studies were conducted at the Vocational School of Art Olga Alonso, where at the age of 8 he began receiving his first instruction in music reading and piano. Osmany continued his musical studies at the School of Music in Havana, where he graduated in 1991 with high honors.
Paredes has worked with many of the most prestigious orchestras and musical personalities of the Cuban America including the Orchestra, Bobby Carcasses, the orchestra of Enrique Jorrin, the master of under Israel Cachao Lopez, Carlos Patato Valdés, Celio González (Celio skinny), with Amaury Gutierrez as musical director and pianist, Francisco Fellove Valdés, Susana Harp, trumpeter Alfredo Chocolate Armenteros and the orchestra Forty degrees and many others.
Despite his youth, his reputation has earned him to participate in a variety of festivals in Cuba, Venezuela, Mexico, etc. It has been considered an ambassador of Cuban music in countries like Austria and Germany and currently resides in Mexico City where she has been creating their own compositions and productions music.
Osmany Paredes Menduvia recorded with the group, his band, in Mexico City in 1999, an independent production and excellent quality. In this album, Walls Osmany Menduvia, the pianist recorded five of his compositions and musical ideas recreates them with a maturity of experienced performer. In effect, shows a well-defined vision, emotional depth, a refined order and unquestionable quality. Osmany
A conversation with Walls (4/28/1902)
Congratulations on your fabulous debut recording with Menduvia Osmany Paredes. What is the meaning of the name of the band and how it formed? He
Menduvia term derives from the word witch, a term commonly used in the Caribbean and is a slang word to describe the flavor. Menduvia
was formed in January 1998, under my musical direction. Almost always play Latin jazz, however we also make a variety of genres such as swing, bossa nova, rumba, cha cha cha, etc. Influences

According to his biography, his father was the first musical influence. What other musical influences do you have?

My main influences include Herbie Hancock, Chucho Valdes, Dizzy Gillespie, Gonzalo Rubalcaba, Emiliano Salvador, Bill Evans, McCoy Tyner, John Coltrane, Oscar Peterson and others. I also believe I am touched by the Cuban Filin movement of experimental ideas and intimate staging (Filin word in English is a representation of "Feeling"). The Filin has been defined by some of its creators as a jazz movement inserted in Cuban popular music, or in other words, music made by performers who knew and could adapt the styles of Lester Young, Art Tatum and Coleman Hawkins, as well as great singers and composers of traditional Cuban music-(here I quote: "Cuba, where music is hot" by René López and David Carp). Emiliano Salvador

Speaking of musical influences, it seems the spirit of Emiliano Salvador is present in the recording studio when you perform your job. Just
I have dedicated the theme The Sound of Emiliano Emiliano Salvador. I consider this great Cuban pianist-gone-sadly made many contributions to Latin jazz and music in general. Indeed, I wish to pay my respects to Emiliano Salvador, because his music has been the biggest influence on my life and career, from when I was a kid. In my opinion, the spirit of Emiliano is present wherever Latin jazz is played, whether in Cuba, the rest of Latin America, the U.S. and Europe. Menduvia

What are the main members of the band? The principal members
of the band are Osmany Paredes on piano and musical direction, Barbaro Perez on bass, Hilario Bell on percussion and flute Reinaldo Perez.
All band members graduated from the National Arts School (ENA) in Havana.
Grand Fellove
How is the partnership it has established with great Fallove Francisco Valdés?
OP: A Fellove-cousin of Carlos "Patato" Valdes-international criticism considers it one of the greatest Cuban singers and composers of all time. In addition, he is credited as one of the founders of the movement filin. I've admired since my childhood Fellove so has been a great honor for me to work with him, learn from his vast experience and creativity. Fellove has lived in Mexico for thirty years.
is also important to note that Fellove, was the first Cuban singer of his generation to sing in "scat", ie, jamming with his voice. His style influenced basically Guapacho and singers like Bobby Carcasses, who followed in his footsteps. My band Menduvia accompanies the Great Fellove in all its presentations. Latin Jazz in Mexico

You mention that Mexico has great Latin jazz musicians. However, it might lack a distinctive character in that field. How Latin jazz received in Mexico? Is there a Latin jazz "scene" in Mexico?
Although it has been well accepted in Mexico, the movement lacks strength, and there are few bands playing Latin jazz. Indeed, many jazz bands play rock, jazz pop and swing. Fortunately, a variety of concerts and festivals where local bands have the opportunity to play, gain experience and showcase their musical style.
I've been fortunate enough to share the stage with many of the leading exponents of Latin jazz in Mexico, for example with the bassist Roberto Aymes, with Cuban flautist Ricardo Benitez, with guitarist Christopher Lee, saxophonist Jaco Gonzalez the pianist Juan Jose Calatayud and drummer Tino Contreras and others. Listening pleasures

What are your favorite records, those you hear in your home?. And among them, what contemporary artists?
At home I hear traditional jazz: Thelonious Monk, Sonny Rollins, McCoy Tyner, Herbie Hancock and Bill Evans. I also like Brazilian music (Ellis Regina, Tom Jobim, Hermeto Pascoal, Egberto Gismonti, Ivan Lins and Djavan). On the other hand I hear classical music and of course Latin jazz (Paquito D'Rivera, Gonzalo Rubalcaba, Danilo Perez and others).
Some of my favorite contemporary artists are: Joey Calderazo, Marcus Roberts, Nicholas Payton and Kenny Garrett. Immediate Future

What are your new projects?
Menduvia Osmany Paredes and will be performing at the Festival de Jazz del Orinoco in Venezuela, in August 2002. Today we played the weekend at a club in Mexico City. And I'm working on new material for my next project. Thank
. Thomas Peña

May 15, 2002

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Nachito Herrera. Victor Cuica

Year: 2005
SONGS: SONG IN F

• • • NACHO'S BIG NEWS PILON

• •
NOSTALGIA IN MY HOUSE BEMBA
• •
ALELI Capullito OF THE MILLIONAIRES
CAME TO Oshun GUAGUANCO
• Potpourri • CHA CHA CHA CHA
• ARE IN MY HEART RATE HOT

• BEMBA: Feast for fun deities or orishas in touch
tambor.HO Cuban identity This project is based on the original idea of \u200b\u200bAurora Gonzalez and to demonstrate the fusion of Cuban rhythms and jazz, spiritual strength, satisfaction with the interpretation of our music and deep respect for the maestro Ignacio "Nacho" Herrera.
Musically, was directed and produced by Ignacio "Nacho" Herrera, with the collaborators and musicians: Raul Pineda, Jesus Diaz, Adalberto Lara, Mirdalys Herrera, Nardy Castellini, Rigoberto Lopez, Victor Rodriguez and Rich Leone.
"red earth was born in sage-scented snuff and coffee BEMBA
born in the heart of the deepest feelings of my wife and my friends who inspired me to be filled with joy and wisdom of thousands of houses and other Cuban families. It is filled with many great talents energy grouping. Attempts to capture this great party music: the classical period, popular, contemporary folk, jazz and traditional Cuban music. Jazz filled with the most complex fused Cuban rhythms, is one of the most satisfying projects I have done.
During President Bill Clinton, Cuban music, the island, it flowed very naturally from these farms Americans. It was surprise to find a Cuban band on tour in the United States. With the arrival of President Bush, Cuban musicians do not get visa and cultural exchanges have been dramatically reduced. And these places are not seen. If it were not for Cuban musicians have settled here over the last decade, this would be an eternal drought.
the late nineties, Nachito Herrera was the pianist and musical director of Cubanismo, which toured throughout the United States were long and applauded. Then Nachito settled by Minnesota and stayed with us, to our satisfaction. And to hear him in his first production there is no doubt that Nachito saves us from this drought of Cuban music to U.S. authorities before us.
In the eleven tracks is a rich variety of Cuban rhythms from the pace pylon, guaracha, Guaguanco, bolero and Latin jazz. Everything is a torrent of memorable moments without yawning space. Nachito pleased and surprised.
Ignacio "Nacho" Herrera, considered a child prodigy has spent his entire creative life that combines the sounds of his native Cuba with jazz, classical music and a unique mixture of American influences. Here in the TPT studios, Nacho (piano), Kevin Washington (drums) and Yohannes Tona (bass) showed their work with one of the most high-energy performances across the stage. ARTIST BIO

At the tender age of 12 years, Ignacio "Nacho" Herrera exploded in the Cuban music scene and has been breaking barriers since. He studied with masters of Rachmaninoff, Rubén González, Jorge Gomez Labraña, and Frank Fernandez and served as lead pianist, arranger and musical director Cubanismo. Today, a proud resident of Minnesota, Nachito original combinations are enjoyed by listeners around the world.

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. Alteration

Victor Cuica represents one of the most important jazz musicians emerged in Venezuela in the second half of the twentieth century. Born in Caracas in April 1949 and in 1963 began his studies at the School of Military Music (La Victoria, Aragua state) and then enter in the Superior Music School "José Ángel Lamas (Caracas). At the beginning of the decade seventies, he joined the Orquesta de Chucho Sanoja and later part of the group and their stars Oscar Oscar D 'Leon. Alongside his musical career, also developed a career as a film and television actor participating in many successful productions. As a musician develops a work in which merges elements of jazz with Latin rhythms and small doses of blues. Their first album was titled Let Forever Be (1983), which was followed by discs of great importance as Tierra de Gracia (1992), Knight (1993), Victor Cuica and Alberto Lazo (1997), Los Locos de Caracas (2000) and International (2006). He has composed music for some films to win the award as best soundtrack (1997) for the film Santera. Part of his music for films featured in the compilation Soundtracks (2004). His musical career is not only represented by his work record, has also appeared as guest musician on recordings by artists such as Gerry Weil and Gonzalo Mico, has made numerous presentations at home and abroad among which being the first Venezuelan participate in the prestigious Montreux Jazz Festival (Switzerland, 1985), besides presenting at events like Memphis in May Festival (USA), Summer Festival of Quebec (Canada), Sea Jazz Festival (Argentina) and the Festival Three Continents (France).
Victor Cuica (1949 -)
born in Caracas on April 19, 1949. Like many people interested in music, he began studying at the Military Music School of La Victoria, Aragua. At sixteen he finishes his training specializing in the tenor saxophone. His first works done in the army, the battalion band Bolivar, where he remained for two years. In 1968 he joined the Marine Band, whose repertoire included issues of Glenn Miller and other directors of the big bands of the Swing Era. They are the first contacts with some topics related to jazz. Intrigued by this genre, buying his first records: two long-term tenor saxophonist Paul Gonsalves and Sonny Rollins.
Cuica, not according to what was learned in military schools, while continuing as a member of the bands of the Navy, it forms part of the School of Music Jose Angel Lamas. The coincidence of an exam in the academy and a presentation forces you to choose and is retiring from military life to the rank of corporal II, to integrate into civilian life. In High School he studied flute, theory, theory, harmony, choral singing and bel. This preparation helped him get a job as choral director of the Andres Bello Catholic University and simultaneously appeared in nightclubs. His first quartet was composed by himself in tenor sax, Freddy Bossa on piano, Armando "Caraquita" Caceres on drums and Jose Castro on bass. His varied repertoire included music: salsa, charanga, pachanga and some jazz. These were years in which Cuica still knows how to improvise and will only carry the melody.
A contract takes him to the island of Aruba and remained there for six months. Takes a period to do research on improvisation, but in the field of salsa. Upon his return, in the early seventies, he joined the Caracas nightlife, along with pianist Oscar Maggi, form a group to play at L'Insolite, one of the most popular beer seventies. With Maggi is more concerned with jazz and bossa nova, and gradually develops the ability to improvise.
In 1974 leaves the musical to pursue acting in film and television. In the second half of this decade deepened her vocal studies and conducts courses and workshops in drama. In his spare time playing guitar, and sax I had almost forgotten.
In 1981 returned to the field of music and organized a group called Victor Cuica and Latin jazz, dedicated exclusively to jazz. Its members were Cuica on tenor sax, Hector Hernandez on bass, Junior Romero on piano, Oscar Rojas on drums and Eleazar Yánez on saxophones. This group was invited to a festival in Memphis, USA and then had the privilege of being the first Venezuelan to be invited to the prestigious Montreal International Festival. Hereafter have been more concerned about being a performer with a sound that a composer. His studies have focused not only on el.jazz, but also in the fusion of Latin music with classic jazz and also has been interested in improvising in the Caribbean folkloric rhythms, samba, bossa nova and calypso .
Among his most outstanding actor in the film are the films good girl is asked presence and motorized bike itself (1977), Manoa (1980), How Anita wanted to get up to Marino Camacho Méndez (1986) and Tender Is the Night (1992). He has also written film soundtracks Claus and flooded land long back (1986), The sea of \u200b\u200blost time and Macu, wife of Police (1987).
addition to his temperament as a musician and actor, Cuica has also been a good entertainer. In their presentations are often accompanied by jokes and nineties has been experienced as a bolero singer.
writing about jazz, it is also necessary to do so on their natural habitat: the nightlife. In many of these groups were recruited function performs songs were varied and include standards jazz. Centers were short-lived and, given its lack of definition, a term derived something else or disappear. In others, the exceptions, the bands played only jazz tunes. Were preferred by intellectuals, the snobbery, the true fans, professional musicians, finally, for all those eager to escape the mediocrity of other nightclubs. Of these, given the large support given to the musicians, The Hundred Chairs, the Barcelino and Juan Sebastian Bar are the most memorable.

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Orchestra.

Alteration, the orchestra class ... is a musical group founded on 02 September 1989, at the hands of the late trombonist Aragua Jesús Méndez Queen, and it has 21 years in Aragua and Venezuelan salsa scene, identified with the contagious musical rhythms such as SALSA. Alteration, La Orquesta ... Con Clase, has, from its beginnings with a staff of outstanding professional musicians, what with his extraordinary work, have made it this positioned today as one of the main representatives of both Araguan sauce regionally and nationally.
During these 18 years the orchestra Alteration, has shared the stage with major groups national and Oscar D'Leon and his Orchestra, Orchestra Dimension Latina, Orq The Melodic, Orq Billos Boy `s Caracas, La Super Banda Guaco, Naty and his Orchestra, and international artists: Gran Combo de Puerto Rico, Jerry Rivera his Orchestra, Nino Segarra and his Orchestra, Orchestra Sonora Ponceña, Roberto Roena and his Apollo Sound, Raulin and his Orchestra, Orchestra Aragon of Cuba, Ismael Miranda, Jose Cheo Feliciano, Luigi Texidor, Willie Gonzalez, Adalberto Santiago, Roberto Lugo and Fania All Stars prestigious among others, thus very high in each of their presentations and the adjective Aragua Venezuela, receiving rave reviews from leading experts as regards the pace salsa.

Late year 1,999 made their first album titled "Por Amor a Ti", and which was released by the label Distribuidora Internacional De Música (DIMUS), which managed to place at the top of the issues Venezuelan Record Report: Puritan THE P 'and my neighbor, making the orchestra Alteration, immerse in a good way in the demanding public like Venezuelan salsa.
This album, which was conducted by producer: ENTERTAINMENT ALTERATION OF VENEZUELA, CA, with extensive experience as far as musical productions are concerned, consists of twelve (12) tracks very well structured and has excellent special guest professional musicians as well as in its previous production, "For Love of You." This recording was made under the musical production of the Bear: ALBERTO RODRIGUEZ, the co-production accompanied by pianist: EDSON MARTINEZ, outstanding Venezuelan musicians currently based in Spain ... Also included the participation of one of the best trombonists in Venezuela as it is SUNDAY Pagliuca and talented percussion Eiter "KIKO" GONZALEZ.
This album titled "VIVA MI GUAGUANCO" Altered Orchestra is putting on the music market Venezuelan promotional theme: "ONE MORE NIGHT" Composer: Luis Aponte, and disturbance adaptation for orchestra, the bassist: ALBERTO RODRIGUEZ, and which is included on this majestic musical product.
Fernando Campos, Hector Palacios and Johnny Santana, are the new members of the Orchestra Alteration, who with an outstanding professional, along with its Director General and singer Freddy BOLL, doing the voice work in this album. With an infinite
pleased you're doing to get our first single "ONE MORE NIGHT" under the interpretation of novel Altered Orchestra singer, Johnny Santana, which we hope will please everyone so you can count on demanding public support of Venezuelan salsa Aragüeño and World ...