Roberto Carcasses is a young musician son of Cuban jazzman Bobby Carcasses. He graduated from National School of Arts in percussion in 1991. Despite this, his career has been as a pianist and as such has accompanied Gema y Pavel, two singers Cubans settled in Spain in Time Traps album, recorded with the group Column B, and now presents his first album in solidarity: youth Invitation.Su not prevent him from presenting this CD together with such renowned musicians as sax hierarchy of Irakere César López and Alfred Thompson, trumpeter Mario Hernandez and his father, Bobby Carcassés.En Invitation, Carcass quality shows great pianist, but even more its capacity as arranger and musical director. The band sounds compact, with Afro-Cuban jazz of good. Latin jazz in general are looking horizons. Jazz gives many more possibilities as it digs. Afro-Cuban as well. Carcasses It shows that both can swim deep in water. Hernandez's trumpet and saxes of Irakere, they sound so sublime, in the discharge opening drive-came, came Changuito, where the very Carcassés shows his talent as a pianist. Follows from Havana to New York, a tribute to Mario Bauza with the participation of the educated voice of Bobby Carcasses and Amado soneos Dedeu, naming a list of rumba that includes Puerto Ricans as Giovanni Hidalgo and Cheek Maldonado, Jerry Gonzalez and Cubans who chose exile as Patato, Mongo Santamaria, El Paisa ... in an exercise that begins to repeat with ever greater frequency, to the delight of melómanos.Le is a version of Puerto father, Emiliano Salvador composition of which has already become a standard in an interesting version that respects the spirit of the recording arrangement Salvador, 1979, New Vision. It is followed by a song by Ivan Lins and adapted as a bolero sung by Lilian. This writer is not easy given any bolero sung "nicely." This is no exception. Dislodges a little with the rest of the album, despite being well executed and a sentimental guitar solo in Elmer Ferrer.California key original Carcassés conspicuous by their joy and grace and warms the spirit that could have cooled the previous . It has an original saxophone solo Cesar Lopez introducing the pianist. Drums, and congas chekeré play counterpoint. Bien.Sigue the composition of Thelonius Monk, Monk's Mood, where Carcassés again shows his taste for the sole time, respecting the jazz, that is, disrespecting everything but the rhythm and harmony, and Mario Hernandez shows his ability to blow the trumpet. Downloads, piece for piano, vocals (almost the entire band) and palms, getting into the religious song, cheerful and lively, ending with two solo piano tracks that close the CD. Invitation is a step in the Afro-Cuban jazz.
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